The Liminal Chronicles Book One by Amy Winters-Voss - Urban fantasy and Japanese Mythology - A myth come to life may be worth far more than his freedom.
Welcome to JB’s Bookworms with Brandy Mulder
Greetings! I’m Amy Winters-Voss, and I write urban fantasy based on Japanese mythology.
Tell us about your newest book.
Rise is a feel-good, urban fantasy about Umeji Tatsuya, a former mobster starting over in a small town. He’ll have to choose between breaking a promise to his parole officer, which will cost his regained freedom, or angering a powerful supernatural being from the stories his dad used to read to him as a kid. Umeji’s second chance is the first step of his journey to discover myth, social redemption, and found family.
Writing isn’t easy. What was the most difficult thing you dealt with when writing your newest book?
The last edit is the hardest. You can see the finish line, but you’ve been through the manuscript so many times that it’s physically difficult to sit your butt in the chair and do the work. An author friend was encouraging me and said wanting to throw my laptop was normal. It meant I was ready to be done. Oh, I needed to hear that I wasn’t alone in that feeling!
Tell us a little bit about your writing career.
I’ve written short stories since I was a teen, but didn’t consider writing a novel until my mid-40s. The year after my trip to Japan, I wanted to go back so badly it hurt. One of my dear friends lives there, and I want to see her in person again and return to the country that captured my heart. I realized I could visit Japan via story. So I started researching and writing for my debut novel, Rise. I had so much to learn about writing well, plotting a book-length story, and Japanese culture. It’s been a tough but enjoyable journey. I’ve had so much support. Though, there will always be room to learn and improve.
They say Hind-sight is 20/20. If you could give advice to the writer you were the first time you sat down to write, what would it be?
Everyone’s first drafts are awful. It’s the editing process where you turn it into a worthy story. I was so nervous as I sent Rise to my beta readers that I couldn’t sleep. That initial input is invaluable and will help you tighten up your plot, fill out your characters, and eliminate white room syndrome. Solid constructive criticism is like gold. But it’s hard to hear. Step away for a few days after initially reading it, then attack it head on. Telling your story is worth the pain of the process.
What was your most difficult scene to write?
The one where Umeji loses someone important who just walked back into his life again. Oh, the feels. To make it worse, I’m a waterfall when any strong emotion hits. I think I went through a whole tissue box.
Are themes a big part of your stories, or not so much?
Very important. Rise carries themes of social redemption, found family, the importance of people believing in you, choices affecting generations down the road, and cyclical cycles.
Part of the story came to me when I stumbled across a documentary about a trio of ex-yakuza (mobsters) opening a restaurant in Kitakyushu. Starting their own business was the only way they’d make it in the long run. It lead me to research yakuza starting over and the impossible challenges they faced—coworkers accusing them of theft to be rid of them, finding only low-paying jobs available, not being able to have a bank account, and more. So I knew my key theme would be the road to social redemption.
What are you working on now?
The first draft for book two, Guardian, is about half done. Umeji still has to prove himself. He’ll face greater challenges and have to rely on his friends even more. We’ll meet legendary characters, find out more secrets about the kitsune and a mysterious sword, and watch him face his past. I can’t wait to write on the story again!
Is there a release date planned?
Rise releases April 30, 2021. For Guardian? I hope to release late 2022 or early 2023.
Who is your favorite character from your own stories, and why?
While I adore Umeji, I think Nakamura Hisako was the most fun to write. In part, because you rarely see elderly major characters in urban fantasy. But also because she’s so sassy and she brings out the best and the worst in other characters.
Most writers were readers as children. What was your favorite book in grade school?
I don’t think I can pick only one. My mom read me The Hobbit when I was five. It stayed with me through the years. Nothing in elementary was as interesting. I didn’t enjoy reading until she handed me the Belgariad series. I think I was in middle school on summer break, and I tore through the series in a week. Those are my favorite books from childhood.
What are your plans for future projects?
I want the Liminal Chronicles Series to be a trilogy. One needs to write long enough for the excuse to make research trips to Japan, right?
After that? I’d like to tinker with sci-fi. For years, I’ve been kicking around a story about a desperate race of aliens, called the Tilgish, who ran out of supplies as they look for a place to settle. Humanity agrees to help. Unknown to us, they bring a curse. Can humans and the Tilgish working together end the impending disaster?
Is there anything you would like to add before we finish?
I want to encourage anyone who has a story burning inside to write it and learn what it takes to publish, whether that be traditional or self-publishing. Don’t be afraid to try. The road won’t be easy, but someone out there needs to read your book.
Good luck with your newest release, and thank you for being with us today.
Thank you! And thank you so much for having me on your blog!
Chapter 1: Hiding In Plain SightKneeling to stock the low shelves at TaniMart makes my knees ache. Though I’ll give no complaint. I’m lucky to have this job, even if it’s mind-numbing. Someday, I’ll have my own business. Right now? I have to save up since the feds took every yen of my savings when they threw me in the slammer.
Pain shoots through my forearm as something bounces off. Crash! Years of fight-or-flight reflex have me jumping to a defensive stance. What the…
Shattered glass and pickled plums litter the polished floor. Reflections of the overhead lights glare at me in the puddles of brine. Then the green, spicy scent of shiso hits my nose. Breathe, Umeji. It wasn’t an attack.
“Sorry, Mister!” The boy and his mom bow.
“I’ll clean it up. Please, finish your shopping.” When I reach to pick up the remaining shards, my heart sinks as the distinctive blue-black wave and red maple leaf designs of my tattoo sleeve show through the transparent wet fabric of my shirt. Despite the deafening silence, the hint of the ink that marks my past wails like a siren, warning all in my vicinity. Why the hell does our uniform have to include a white shirt?
Eyes with huge black pupils are framed by the woman’s ashen face. She hunches, tensed as if ready to run. Backing away, she wrenches her son along in a white-knuckled grip.
My hand crushes the shards in my palm as heat fills my core. Only when she’s out of sight does my head hang.
When I report the injury to Satou, my volunteer parole officer and boss, he drives me to the doctor to get stitches in my hand. He made me promise not to lie to him when he took me on as a parolee, so I fess up the cut wasn’t an accident. It was that or punch something.
I opt for the hour walk home, then he doesn’t have to waste any more time on me. So much for blending in. My attempts to ditch the Tokyo accent are probably worthless now. Satou said there are fewer than 1,300 people in Nonogawa, so everyone in town will know by tomorrow. Something in the mix of traditional and modern housing looks less friendly than it did at first. Letting the old swagger back into my step lacks the feeling of control it used to give.
My insides continue to twist as I wait for my boss to return home. Tomorrow’s gonna suck. Might as well get in a good soak to relax, instead of pacing. I’d place good money down that Satou picked this old traditional house based on the big wooden tub. When I can afford my own place, a good bath will be a priority for me, too.
It’s been years since I had daily access to one of the most relaxing aspects of Japanese culture. First, because of my jail sentence. Second, most public bathhouses ban gangsters. They say our ink threatens. The previous generations won’t forget the yakuza heydays, and sporting ink was part of the tough guy act.
Naked and settling onto the low wooden stool beside the tub, I scrub and fill the bucket at my feet to rinse off. I could use a shave. Should I ditch the mustache to fit in better? It covers the knife fight scar. So either way, I don’t fit the norm. Shit.
With a slam, I flip the small hanging mirror over. Don’t want to see the reflection that stared back. Before everyone knew I had been a mobster, could they tell I was just trying not to stick out?
Splashing water on my face rinses away the questions. Despite the chill of the tile floor on my feet, I revel in not having to hurry as I scrub and rinse. Damn, it’s good to not have the prison guards timing me anymore. My chin-length hair needs some attention, but I don’t have the cash for a trim. It was used up after the incident to pick up a dark long-sleeve T-shirt to go under my work’s white button-up. I was lucky the prison didn’t make me get a buzz cut. Most do.
Finally, I slide into the tub. A hiss escapes my mouth as the fire-heated water contacts my chilled skin. The tattooed kitsune frolicking in their traditional designs over my shoulders and back seem to enjoy the warmth, too. Soon the heat seeps into stiff muscles, and I lean on the edge, soaking it in.
Satou said the community is hard to break into. So, I’ve got to avoid sticking out any more than I already do. In a small town, once you’re known for something, it’s never forgotten. With a determination to focus on one day at a time, I sink deeper into the water.
Created with Sketch.
On my next shift, whispers and side glances greet me. The yakuza taint broadcasts its presence stronger than the stench of diarrhea. Everyone gives me a wide berth. Not even a week in town and I’m an outcast again. The only way out is hard work and humility. I will endure.
The mom returns just before my shift ends. She avoids the aisle I’m stocking, but her little boy points, announcing, “Mama! There’s the guy with the tattoos!”
Her shushing causes him to insist all the louder. Focus on the task at hand, Umeji. I force myself to look away as she lugs him out of the building.
That’s the moment Satou’s elderly aunt gives me the stink eye. Shuffling up, she waggles a crooked, accusing finger right in front of my nose, causing me to back into the shelves and knock several plastic tubes of mayo on the floor.
“Get your head out of the sand, boy. Don’t bother playing stupid. You saw that. I advised my nephew not to take in a stray like you. To make things worse, yesterday I heard you’re covered in irezumi tattoos. Nonogawa may be in the sticks, but we all know what that means here.”
I blink. Why’s she so aggressive? Aren’t little old ladies supposed to be sweet and polite?
“Well? Are you?” she presses.
While I deserve the disdain, why is this woman putting down her family in public? “Ma’am, the community respects Satou-san. I’ll do my best for his sake.”
She draws out the syllables. “You dodged.” As she crosses her arms, her sharp eyes shift to a predatory glint. “If you won’t answer, roll up your sleeve. I know yakuza ink when I see it.”
My head swivels. Satou, where are you? Make your vicious aunt heel. I don’t wanna do something stupid, because she’s really making my hackles raise. “Ma’am?”
In the mob, I was good at remembering names, because the alternative could be costly. What did my VPO say her name was? Oh yeah—Nakamura Hisako, the town’s beloved matriarch. As part of the Hiragi clan in Tokyo, I would have never let a little old lady corner me or make my palms sweat. But I’m caught flat-footed because I can’t use any of the in-your-face phrases that bubble up to get her to lay off. I haven’t done a damned thing to her. What gives?
I take a breath. No attitude. “Nakamura-sama, it’s becoming more common in the cities. People keep ‘em out of sight to avoid the stigma.”
As if I’ll tell this biddy the full truth. Later, I can scream rebellion in gokudou drawl all I want. But her outburst is the proverbial piano hanging overhead, threatening to crash down on the little hope I have in this town.
At twenty-four, I should have a high school diploma and a college degree or employment experience. This is my only chance. Suck it up, Umeji. So, I bow deep. “I apologize that my tattoos offend. If I could turn back time, I’d not have done it. How may I help you?”
Harrumphing, she turns on her heel with the grace of a ballerina. How does an old lady move that fast?
When I finish stocking, I grab my baseball-style jacket with its embroidered fox on black and gold silk and beeline it to Satou. Just my luck, his aunt beats me there. Don’t look cocky.
I wait behind her and examine my shoes. Faint reflections of fluorescent lights show on the tile floor.
“That tattooed punk is bad for business.” She points, doubtless aware of how rude she’s being. “He dares to flaunt his past wearing that rebel jacket, instead of considering this store’s reputation. I’ve heard all manner of rumors. Mark my words, Kazuo, people will stop shopping here.” Full-to-the-brim grocery bags strain her arthritic knuckles.
While Nakamura’s concern is understandable, does she care that this ‘rebel jacket’ is the only one I own? I was fortunate someone dropped it by the penitentiary after emptying my apartment. My fists clench, pulling on the stitches from yesterday’s wound. Why does this town love her, anyway?
Satou clears his throat and tilts his nose toward me. “Aunt, tattoos or not, he’s being much more polite than you. I’ve never seen you in such a state.”
Umeji, the mob taught you the tenants of bushido. The honorable way of the warrior. It’s one of the few things I can carry over from the yakuza. Give it your all. My voice almost cuts out as I ask, “Nakamura-sama, may I carry your groceries?”
She grumbles, lumbering off. Where’s the grace she had?
“Aunt Hisako is opinionated and protective of our community. But she’s almost always reasonable. Wish I knew what got her undies in a bundle.” With a raised eyebrow, Satou says, “You rendered her speechless. That’s quite the feat.”
Shoving my arms into the sleeves ruthlessly, I shrug on my coat.
“It’ll be ok, Umeji-san. FYI, I need to stay late, but you can wait in the break room.”
Most days I remain beyond my assigned hours to assist with the day’s tasks. Every dutiful employee does. But I mumble, “I’ll walk.”
In the parking lot, a shitzu puppy breaks loose from its owner’s grasp. The mutt charges for Nakamura as it barks its head off to warn of an intruder in its domain. Nakamura, calm as a windless day, lifts her index finger toward the potential attacker, halting it in its tracks.
The owner scoops up the stiff, silent pet and bobs. “I’m so sorry, Nakamura-san! I can’t imagine what little Taro-chan was thinking.”
“Thank you for catching him. I think he intended to bite my leg off. Didn’t you, pup?” Satou’s aunt flashes a wry smile that must have created most of the lines in her wrinkled face. It causes the other woman’s eyes to widen in horror. She bows again, scurrying off.
Unperturbed, Nakamura sets her groceries in her red Nissan sedan. But a can drops and rolls, causing her to mutter under her breath.
Here we go again! Scooping it up before it’s flattened under a moving van and jogging over, I hold it out in my hands—a peace offering. Her lips purse and she snatches the item as if my touch might poison the food inside.
Fine. If this is a war of attrition, I’ll fight it to show regret for what I’ve done.
Mid-afternoon, I’m almost to the house. Strolling through the forested farmland, sunshine and the warm, late fall day breathes life into me again. The dense, fiery landscape of reds, oranges, and yellows set off by the evergreens of bamboo, cedar and cypress has me grabbing for my cellphone. I’d seen parks like this, but not horizon to horizon beauty. Then my shoulders sag. The damn feds took my cell, too.
Compared to the compacted cityscape I’d grown up with, the open farmland leaves me exposed. Tall buildings always surrounded and protected me before I came here. A weight fills my chest. Despite being in the middle of nowhere for a week, I keep half expecting to see some tall structure around the next bend. Out of habit, I shove my hands in my pockets to fiddle with the dog-eared collection of Japanese myths. My breathing slows upon contact with the book from my father. The one connection I have left with him.
A glint of vermilion in the trees stands out even in the bright foliage beyond the rice field, so I squint against the sun to get a better look. Beckoning me, a path leads through the paddies and over the river to a torii gate.
My mob leader insisted our clan appear to be dedicated followers, though I only ran through the motions to appease him. Shoving belief into a shoebox in my mind, I labeled it as ‘Umeji’s too unclean to deal with this stuff’. That box got pretty damned full.
My stride turns to a jog as I’m greeted by the fox statues with red bibs at the top of the stairs. Pausing for a brief bow at the gate, I bound up, skipping every other step. I shouldn’t run because I’m entering a sacred area. But a tug on my heart invites me to peek at what I’ve avoided so long.
Memories flood in as I climb. When I was a child, my dad would read to me. My favorite stories were of the kitsune. Whether they were the messengers of Inari or the shape-shifting trickster spirits, they fascinated me. Mom also fed my obsession with the mythical animals by buying me a fox mask and taking me to the Ouji Inari shrine to be in the Kitsune Parade when I was ten. After that, I drew foxes on everything and devoured every myth I could find.
When my mob brothers went to get inked, dragging me along, I hoped the artist would agree to my plan. Traditional tattoo artists are picky and may refuse an idea. On top of that, they charge a fortune.
I’d printed a picture of a Meiji era photograph with a man showing off his tats—a nine-tailed fox on each shoulder with them chasing each other, one red with a flame above it and the other white with a scroll in its mouth.
My brethren teased me because kitsune aren’t the typical symbols gangsters pick. They quit when the tattooer was so intrigued he did the initial outlines of the ancient design for free.
At the summit, I follow the dirt path through the foliage to find a squat shrine building that probably never had a lick of paint. Moss covers sections of the tiled roof and footings. Yet, the steps and floor are spotless. A bell and a few crisp white paper ornaments, hanging from the rope that demarcates the spiritual space, decorate the simple place of worship, urging me to pray.
Do I want to open that jam-packed shoebox? My fingers shake. The things I’ve done. The offering coffer makes me look away. I won’t get paid for a while. No coins to throw. Nothing to offer. Coming here was a mistake.
As my fists slide into my coat pockets, there’s a crinkle—the salmon onigiri that was supposed to be my lunch. Unwrapping it releases the scent of the fish, rice, and vinegar, making my stomach growl. I’ve gone without meals before. This time it’s my choice.
With reverence, I place it at the doorway to avoid stepping inside and sullying the building. Then, after a deep bow, two claps, and ringing the bell, I pray. My throat constricts as I dare to voice my request to the kami. “Help me stay on this new path and assist others as Satou-san has me.”
Heading back down the trail, my tally of all the things that could go wrong tomorrow is interrupted by prickles forming on the back of my neck. I’m being watched? A glance behind me doesn’t reveal anyone, but someone is definitely there.
After passing under the torii, I hear a rustling. The tail of a gray fox disappears into the dense foliage. Did it enjoy my meal? My love for the creatures drives me to follow it, but I stop after my first step past the gate. Idiot. I shouldn’t follow superstitions, but years of experience taught me to trust my instincts. The animal is long gone and knows this area. I’d not seen a wild one before. Despite the unease, I hope to spot it again.
About the Author:
Amy is a former programmer turned author after her first trip to Japan in 2017. Now she writes Japanese myth-based urban fantasy to reconnect with the country and culture that captured her heart.
She lives in South Dakota with her supportive husband, two wonderful kids, a mellow old cat who adopted the family, and three wily and crazy ferrets.